Woolforbrains (not verified)

The instructions that Ashford include with their second heddle are on their website here. It shows you how to do Summer and Winter and a double weave blanket. It might let you get started.

 

 

tapestryinterest (not verified)

I'd love to see a basic how-to on rigid heddle weaving techniques. For example, some folks on the Yahoo group explained about beating before changing the shed for better selvedges. Another really recommends use of a temple. A summary of tips and tricks would be helpful to many, I think. Thanks for your great work, Syne!

tapestryinterest (not verified)

I'd love to see a basic how-to on rigid heddle weaving techniques. For example, some folks on the Yahoo group explained about beating before changing the shed for better selvedges. Another really recommends use of a temple. A summary of tips and tricks would be helpful to many, I think. Thanks for your great work, Syne!

Linda Carta (not verified)

Good morning!

I have been weaving for several years, and have recently been gifted with a LeClerc 60" Tissart tapestry loom.  I am beyond excited to be able to delve into the world of tapestry and have much to learn.  I value forums like this that allows shared experiences and inspirations.  Tommye, your site was recommended to me by Brenda of ArgoKnot.....I am speechless!!  Your work is amazing!!  I very much look forward to what happens on these pages and the inspiration that makes its home on my beautiful new (old) loom!!  Nice to meet you all!

trishSA (not verified)

Why don't we introduce ourselves and where we're from?  I'm Trish from San Antonio.  I like to explore color and structures on scarves. I'm particularly intrigued by collapse weaves right now. 

Alaire Rieffel (not verified)

 

I finally had success with my Glimakra after I bought the tie up kit from Vavstuga.  Wish I'd started with it! "  Uses beads to secure cords on top of the lamms, texsolv cord to run down through the lamms and treadles, and straight knitting needles to attach all of the cords under the treadle.  The texsolv cords are marked with three holes each, and the knitting needle is inserted in the appropriate hole (tighter towards the back of the loom, looser towards the front.)  That ensures that all the tie ups are consistent--no tedious adjusting.  Check out their web site for prices, and if it's still too steep you can make your own.

I want to give equal time to Joanne Hall, the other US Glimakra site.  I've purchased several add-ons from them, and the service has been sensational.  

Seems like I've seen another tie-up kit out there besides Vavstuga's--do some googling and see what you find.

 

RHweaver (not verified)

I think you're right. :-)  Though I had my Harp warped for the project, I used the wrong heddle (thought I had the 8, but had the 10 - doesn't work on worsted weight!) and I changed my mind as to what I was going to make.  So back to square one!  

Cheekyredhead (not verified)

Hi everyone!  I'm Christine (please call me Cheeky).  While I haven't done any Saori weaving in the traditional sence, what I have done is to weave with yarns that I have spun myself that are navajo (chain) plied.  By pulling a part hand dyed rovings in a random way, navajo plying, then weaving the yarns onto themselves, the fabrics have this sort of plaid look to them.  If I use the navajo plied yarns in either in just the warp or weft the colors pattern in in the most wonderful ways.  I think my use of this spinning technique to achive a random yet harmonius look is right in keeping with the saori ideal.  You can see my work on my blog (http://www.getaclew.blogspot.com/) or on my flickr set Woven Stuff (http://www.flickr.com/photos/cheekyredhead/sets/72157602767100549/

I was also one of the weavers for The Thread Project: One World One Cloth (http://www.threadproject.com/asp/default.asp) The panel I wove is part of Lienzo Luminoso:Cloth of Light.  Some of the materials I worked with were data tape, guitar strings, as well as various strings, yarns, and ribbons.

Cheekyredhead (not verified)

Hi everyone!  I'm Christine (please call me Cheeky).  While I haven't done any Saori weaving in the traditional sence, what I have done is to weave with yarns that I have spun myself that are navajo (chain) plied.  By pulling a part hand dyed rovings in a random way, navajo plying, then weaving the yarns onto themselves, the fabrics have this sort of plaid look to them.  If I use the navajo plied yarns in either in just the warp or weft the colors pattern in in the most wonderful ways.  I think my use of this spinning technique to achive a random yet harmonius look is right in keeping with the saori ideal.  You can see my work on my blog (http://www.getaclew.blogspot.com/) or on my flickr set Woven Stuff (http://www.flickr.com/photos/cheekyredhead/sets/72157602767100549/

I was also one of the weavers for The Thread Project: One World One Cloth (http://www.threadproject.com/asp/default.asp) The panel I wove is part of Lienzo Luminoso:Cloth of Light.  Some of the materials I worked with were data tape, guitar strings, as well as various strings, yarns, and ribbons.

Alaire Rieffel (not verified)

 

My favorite tool is a blue plastic clamp usually used in hospitals to clamp off iv cords.  They are available retail from Dravon at 1-800-654-1976.  Although they are plastic, I have never known one to break.  They can be pricey in quantity, but sharing a large order is a great thing for a guild to do.  I wish weaving retailers would carry them too.  Believe me, you will want lots of them once you try them!  (I have no relationship with this company except being a devoted customer.)

Essentially they work like scissors, except when you close them around a group of yarn/threads, they stay closed until you release them.  I use them to replace almost all my overhand knots when threading and sleying.  I also use them to clamp onto the texsolv below a treadle to hold the  treadle up so I can adjust the cords.  I