Shipibo design place mat

This is the first of a set of four placemats that I am making on my backstrap loom. Each one will be in a different color with a design in simple warp floats representing a different culture. This design was taken from a woven bag from the Shipibo culture of tropical lowland Peru. I have pieces of Shipibo painted fabrics and the colors I chose were influenced by those. I am very pleased with this first piece as it is the first time I have woven a placemat with #10 crochet cotton and it is surprisingly light despite being warp faced. I did weft twining along the cut edges to seal and protect them. It is a secure although time consuming finish.
The next place mat in the set will have a design based on a woven Mexican belt.
More on my blog.
Pebble Weave bookmarks
In November there was Tinkuy de Tejedores (a gathering of weavers) in Peru. I would love to have gone, but it was not in the cards. The pre-Columbian weaving that is still being done in the highlands of Peru is incredible. No one should ever underestimate the ancestors.
Trying to learn a little about this weaving, I found an article by Doramay Keasbey in a Handwoven magazine from January/February 2000 that explained how to do pick up weave on a floor loom (instead of the backstrap loom commonly used by Peruvian weavers). I put on a long
warp and started weaving bookmarks.
Intrigued by this complex pick-up weave, I contacted Laverne Waddington, who lives in Bolivia and has first-hand experience with weavers who live in the Andes. She has recently published an e-book through Weavezine on Andean Pebble Weave. Her comments can be seen on my website http://abovefault.net/ I have purchased her book and I think I see a backstrap loom in my future and further exploration of this and other pick up weaves.
I just received the most recent Handwoven magazine (January/February 2011) with articles by both Doramay and Laverne on pick up weaves. Thanks to both of them for giving me this new window into the weaving world and an admiration for what can and has been done. It is both exhilirating and humbling. Too much to do, too little time!
purse with Chinchero design
This is the third in a set of tool bags I am making. This latest red one has a traditional design of Chinchero, Peru. The Chinchero weavers usually weave this in four colors although I have seen two color examples too. I used three. I started with four and had to unweave as the combination just didn't work and so I replaced two of the four colors. That is the price to pay for not having made a sample!! I had used red, green and purple together before with nice results but it was the fourth color that ruined everything. I have yet to sew it up.
You can read more about the structure of this weave on my blog today.
tapestry sewing kit purse
My first attempt at weaving tapestry on my backstrap loom.(I didn't have any other kind of loom at the time). I wanted to reproduce a design that I have on a pre columbian textile remnant (PICTURED ABOVE). It was fun to do and interesting to see my first weft-faced project on this loom taking shape but progress was REALLY slow! I made up a 60cm warp but decided to stop after 16cm. It was supposed to be just a sample piece but I folded it in half and put a zip around three sides. Now it holds my scissors, needles and cotton and goes traveling with me.
I NOW HAVE A BLOG ON BACKSTRAP WEAVING!
backstrapweaving.wordpress.com/
I hope you will visit and maybe subscribe. :-)
Laverne
small Peruvian design purse
When I went to coastal Ecuador to spend three weeks with the weavers there who make cotton saddlebags, I took along my backstrap loom with a warp made up ready to weave pebble weave. I like to show weavers things from other countries. They taught me their weaving and spinning and I was able to show them something from Peru. When I finished the piece I had enough to be able to make this small bag and a matching coin purse (pictured above). I just had to weave the sides and strap. (with strap pictured above) The button is a tagua nut that I got in Ecuador.
Bolivian and Peruvian design belts
This pebble weave structure was taught to me by a Peruvian weaver in Huancayo, Peru. We spent days tied up to the rose bush in the garden weaving tiny 2cm wide bands with a variety of bird, plant and animal designs typical of the region. I then began collecting designs as I traveled through Peru and Bolivia-buying samples, copying from museums or sketching things that I saw in the street and markets. Some of these designs are from Lake Titicaca in Peru, others from the Bolivian lowlands where I live and others from the area around Potosi in Bolivia. Silvia, my weaving teacher can been seen above. The woven pieces are attached to webbing for added strength. The pieces have been woven with three selvedges. The cut end is passed through the buckle and sewn down. The holes for adjustment have been punched through with protective metal eyes.
pre columbian bag
I learned this pebble weave technique while traveling in Peru. In a city called Huancayo I met Silvia (pictured above) who became my teacher for the weeks that I spent there. Every morning we would have a class with our backstrap looms tied up to a rose bush in the garden. Her daughter would stand by to help out with translations as Silvia only spoke a little Spanish being a Quechua speaker. Unfortunately her daughter was not interested in learning to weave herself but such is the trend these days in Peru. At home I wove bands to practice my new skills and then decided to attempt a wider and more complex piece (in that it has more than two colors). This I decided to set up on my Navajo loom as I wasn't used to weaving this kind of width. You can see a photo above. The piece lived as a wall hanging for many years until I finally decided that I would like to ''show it off'' a little more and so I turned it into a shoulder bag! Unfortunately the yarn I had used for the bag was no longer available and I had to use something else for the strap and sides. Since then I have woven increasingly wider pieces using my backstrap loom.. I have no choice as my Navajo loom couldn't go with me last time I moved!
Peru-shoulder bag
Margarita (pictured) taught me to weave this technique on a backstrap loom in Huancayo, Peru. She spoke Quechua with a few Spanish words thrown in and usually brought her daughter to watch over us to translate. We used to tie up our tiny looms to a rose bush in the garden. She was teaching me to weave patterns on a 2cm wide band with quite fine cotton. Quite a challenge trying to follow her movements in that tiny space! The center panel and the sides of my Peruvian shoulder bag are my own handspun llama fiber spun and plied on a drop spindle. The main body of the bag is cotton also woven on the backstrap loom and is warp-faced. I bought a pebble-weave belt on my first trip to Cusco and adapted its design. I wove one panel of pattern and then reversed the colors.
I NOW HAVE A BLOG ON BACKSTRAP WEAVING!
backstrapweaving.wordpress.com/
I hope you will visit and maybe subscribe. :-)
Laverne



