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Rug and Textile Appreciation Morning(RTAM)program virtual version

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Hi, I decided to create a thread for John Howe's virtual version of rug talks at the Textile Museum in Washington DC.  These talks range over many different subjects.  Most will interest weavers.  The inspiration of patterns and the discussion of weaves is good for us to learn how others think about it.  It is good to pay attention to what collectors think.  I will post other announcements and links here sourced from John as they appear unless someone else beats me to it.  I think other folks are on his distribution list.  Please remember this gentleman is a volunteer and decided to provide this to the public.  Enjoy Deb

See next message for first installment!

 

 

 

User offline. Last seen 35 min 47 sec ago. Offline
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This is to announce

This is to announce publication of a virtual version of a Rug and Textile Appreciation Morning(RTAM)program, given by R. John Howe (that’s me), at The Textile Museum here in Washington, D.C. on January 30, 2010.

The title of my RTAM was “What Is a ‘Weaving?’ What is Not?  And Why?”  As I explain in my lecture, it is a permutation of another “rug morning” program I gave in 2009 entitled “Easy to Weave; Hard to Weave.”

This post has two parts. The first is a lecture; the second is devoted to illustrative pieces that I and members of the audience brought in.

I am a retired instructional designer; have collected rugs and textiles for over 20 years (more, if you allow me to count a charcoal, slub-striped sport coat that I had tailored in 1954, and that I still own); began collecting with a Turkman focus, but have become more eclectic as I have gone along.  I do like Anatolian things a great deal now. 

I spend quite a bit of time, nowadays, preparing virtual versions, like this one, of some Textile Museum RTAM programs so as to attempt to provide them to the much larger audience they often deserve.

The purpose of this email is to announce and convey to you the link to the session described above.

You can access this program on my blog using the following link:

http://rjohnhowe.wordpress.com/

Either double click on the link itself, or copy and paste it into your browser and then hit “enter.”  That will take you to the “front page” of my blog “Textiles and Text.”  The RTAM being announced here is the first two entries in red in the column on the right.

You are receiving this email message because your address is on one of my lists of “ruggies.”  If your inclusion is in error, or if you prefer not to receive future messages of this sort, please write me at rjhowe@erols.com and I will remove your name and address from my list.

I do not usually encourage reader responses, but if something especially interesting or important occurs to you as you read this post, please send your thoughts and any associated images, to me at my email address above, together with permission to use the images and/or your indications in part or whole in any addendum post I may decide to add.

I hope you enjoy my treatment here of what might seem, initially, to be a subject too obvious to explore.Regards,

R. John Howe

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(My first two posts

(My first two posts disappeared so I'm re-posting -- apologies if it comes up twice or three times)

I always look forward to these presentations, usually devoting several hours to each one.  The pictures are wonderful and although I don't collect  rugs, the text always seems very informative and interesting.  I especially liked the indigo blue series, and the recent presentation about color.  This latest one "What is weaving" has me scratching my head, though, and I'd love to hear what others on this forum think of it.

I guess that statement behooves me to write what I think.  I think Emery's approach of classifying weave structures "from the structure"

since structure inheres in the fabric, whereas evidence of process is
seldom retained

is valid.  What the heck is "the perspective of the weaver" that Ms. Mallett and Mr. Howe suggest should be the basis of classification?

Bonnie.

Joined: 05/29/2009
 I think the topic is sort of

 I think the topic is sort of for rug collectors as there are a number of techniques related to cut pile and/or flat-woven rugs  - like twining or ply-split braiding that fall into a sort of no man's land. Collectors have to be able to quantify everything, and with textiles being created by persons, often just out of their heads, there will be these discussions of technique classification.

John has wonderful photos and interesting presentations, but this one is sort of like his "hard and easy" lecture - a topic that is hazy at best, but interesting nonetheless.

All authors cited are good sources - that they don't entirely concur is just that - gives each of us something to think about.

As long as there are persons making creative textiles, there will be pieces and techniques that exist "outside the box" - the cause the folks at Antiques Road Show to tear their hair out - when we should probably simply assess such work on its merits as we see them.

And John's blog is certainly a feast for the eyes - I look forward to the next installments.

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Bonnie, I haven't finished

Bonnie, I haven't finished going thru this last lecture, it is rather biased towards Mallett writings, but that is understandable as she has been active in the rug world in helping understand weave structure.  Never forget this information is source from a "rugcentric" group.

The one thing I have learned thru my weaving studies is that when you venture into trying to define a weave structure you are truly in turbulent waters.  The cultural, linquistic, manufacturing, practical application and museum world all identify the same weaves with different terms upon occasions.  Diagrams and pictures are so important to understand exactly what structure is being discuss.  I value a diagram over words as sometimes you are dealing with translation or interpretation issues with words.  

I know at one point certain museum organizations were trying to rewrite weaving terms and be all inclusive over the world and roll in definitions and illustrations.  I believe it stopped due to funding, but in the meantime it ran into the tough turf wars of what/how to define weaves.  It's important to note that some folks completely disregard the loom upon something is created. For us weavers, the equipment is critical but cloths from the past don't come to us with drafts and loom photos.

I've watched and listened to some very heated discussion between weavers and museum curators on how to define weaves.  I've learned that is is important to understand that folks come to defining weaving via different routes and words, the important thing to me in the end is the beauty  or functional use of the final product.  One doesn't know how it was created once it moves away from the loom and structure mechanisms that created it.  

I know weaving when I see it!

Deb Mc

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  posting to share, link to

 

posting to share, link to presentation is at bottom of note....Deb Mc 

April 24, 2010

Dear folks –This is to announce publication of a virtual version of a Rug and Textile Appreciation Morning, given by Paula Laverty, at The Textile Museum here in Washington, D.C. on March 6, 2010.

Ms. Laverty is perhaps the reigning authority on Grenfell hooked rugs, produced in Labrador, mostly in the earlier part of the 20th century, as part of an effort by an English medical missionary, Dr. Wilfred Grenfell, to raise the economic condition of the folks in the austere area of his mission.  As you shall see in Ms. Laverty’s presentation, a variety of Grenfell products were made, but the most successful, and the one now most associated with the “Grenfell” designation, were hooked mats made from women’s silk and rayon stockings and other undergarments.

Hooked rugs (and “tufted” ones, a similar but distinctive process) are still frequently encountered in U.S., Canadian antique shops (and likely those in Great Britain as well).  And serious collections of them exist.  Among hooked rug collectors, “Grenfells” are seen often to be the “crème de la crème,” and they can bring surprisingly high prices.

Ms. Laverty has traveled the areas of (now) Canada, where the Grenfell “industrial” operated, has personally visited the various sites often depicted on the rugs, and has talked to surviving mat “hookers” and their families about the heydays of Grenfell and this craft enterprise.  She has captured the results of her more than 20 years of study of “Grenfells” in a full-color book, “Silk Stocking Mats: Hooked Mats of the Grenfell Mission,” which you can buy from her web site listed in a short bibliography at the end of the post announced here.

The purpose of this email is to announce and convey to you the link to a virtual version of Ms. Laverty’s TextileMuseum presentation.

You can enjoy this program by accessing it on my blog using the following link:

rjohnhowe.wordpress.com/

 

 

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A new post - many different

A new post - many different textiles and design to explore.....once again, remember this is a collector's point of view, not a weaver's point of view so you might find some points to differ with BUT it is great to have access to the visual inspiration...Deb Mc 

May 10, 2010

Dear folks -This is to announce publication of a virtual version of a Rug and Textile Appreciation Morning, given by Michael Seidman and Wendel Swan, at The Textile Museum here in Washington, D.C. on February 20, 2010.

Their topic was "What You Always Wanted to Know.A Potpourri." 

"Potpourri" sessions, as we say again in the virtual version of this session, have been a frequent item of the Textile Museum Rug and Textile Appreciation Morning tradition, but Michael and Wendel, presented a version a little more didactic than is usual, that focused attention of some particular areas.

The purpose of this email is to announce and convey to you the link to a virtual version of the RTAM program Michael and Wendel presented.

You can enjoy this program by accessing it on my blog using the following link:

 rjohnhowe.wordpress.com/

Either double click on the link itself or copy and paste it into your browser and then hit "enter." That will take you to the "front page" of my blog "Textiles and Text." This "potpourri" program is conveyed in the first entry in red in the column on the right. 

You are receiving this email message because your address is on one of my lists of "ruggies." If your inclusion is in error, or if you prefer not to receive future messages of this sort, please write me at <mailto:rjhowe%40erols.com> rjhowe@erols.com and I will remove your name and address from my list.

I do not usually encourage reader responses, but if something especially interesting or important occurs to you as you read this post, please send your thoughts and any associated images, to me at my email address above, together with permission to use the images and/or your indications in part

or whole in any addendum post we may decide to add.

I hope you enjoy this virtual version of Michael's and Wendel's program.

Regards,

R. John Howe

 

 

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 May 23, 2010 Dear folks

 May 23, 2010

Dear folks –This is to announce publication of a virtual version of a Rug and Textile Appreciation Morning, given by Amy Gould and Matthew Polk, at The Textile Museum here in Washington, D.C. on February 27, 2010.

Amy and Matthew, as this post details, have independent areas of considerable personal and professional accomplishment, and are serious textile collectors in several areas.  Amy is a current Textile Museum trustee.

The focus their talk here was on a group of Andean tunics which they have carbon dated.

Amy provided a historical survey of the universe of Andean textiles, and Matthew led us through an experiential exercise, in which we had a chance to compare the results of our estimates of the age of the Andean tunics (using our traditional indicators) with the results of the carbon dating of them.  As part of his treatment, Matthew explained the current state of the art with regard to carbon dating and provided some reasons why, despite admitted problems with it, he believes it should not be discarded as an age-estimating tool.

The purpose of this email is to announce publication of a virtual version of this interesting program and to provide you with a link for viewing it.  You can enjoy this program by accessing it on my blog using the following link:

http://rjohnhowe.wordpress.com/

Either double click on the link itself, or copy and paste it into your browser and then hit “enter.” That will take you to the “front page” of my blog “Textiles and Text.” This “Andean-Carbon Dating” program is conveyed in the first entry in red in the column on the right. 

You are receiving this email message because your address is on one of my lists of “ruggies.” If your inclusion is in error, or if you prefer not to receive future messages of this sort, please write me at rjhowe@erols.com and I will remove your name and address from my list.

I do not usually encourage reader responses, but if something especially interesting or important occurs to you as you read this post, please send your thoughts and any associated images, to me at my email address above, together with permission to use the images and/or your indications in part or whole in any addendum post we may decide to add.

I hope you enjoy this virtual version of Amy’s and Matthew’s interesting and scientifically sure-footed program.

Regards, 

R. John Howe

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note from Deb Mc, this has a

note from Deb Mc, this has a series of wonderful photos of many different textiles methods besides weaving....enjoy 

June 6, 2010

Dear folks –This is to announce publication of a virtual version of a Rug and Textile

Appreciation Morning program, given by Christine Brown, with facilitating assistance by Wendel Swan, at The Textile Museum here in Washington, D.C. on November 21, 2009.

Christine is a student of rugs and textiles, with a special interest in costume.  She has traveled widely, both professionally and privately, and has given “rug morning” programs previously, most recently on Uzbek costume (see our archives).  She has a personal collection of ethnic jewelry.

Christine’s subject was a venerable one: “The Tree and the Tree of Life Design.”  Her program began with a lecture which was followed by an examination of “in-the-fabric” pieces that Christine and members of the audience had brought in.  Wendel Swan facilitated this second portion of the program.

The purpose of this email is to announce publication of a virtual version of this program and to provide you with a link for viewing it.  You can enjoy this program by accessing it on my blog using the following link:

rjohnhowe.wordpress.com/

Either double click on the link itself, or copy and paste it into your browser and then hit “enter.” That will take you to the “front page” of my blog “Textiles and Text.” Christine’s “The Tree and the Tree of Life Design” lecture is the first entry in red in the column on the right.  The pieces brought in can be seen in the second entry in that same column. 

I hope you enjoy this virtual version of Christine’s program on a topic frequently encountered in the textile world and its literature.

Regards,  R. John Howe

 

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“Transport and Storage Bags

“Transport and Storage Bags from Southwest Iran, passing this on for your info!

On June 26, 2010, Raoul “Mike” Tschebull made a Rug and Textile Appreciation Morning presentation at The Textile Museum, here in Washington, D.C., on the topic “Transport and Storage Bags from Southwest Iran.” Mike had conducted a program here at the TM not long ago, arguing that warp-faced covers are worthy objects of collection, but was prevailed upon to favor us again.

The purpose of this message is to announce the publication of a virtual version of Mike’s June 26, 2010 program. You can enjoy it by either double-clicking on the link immediately below or by copying it and pasting it into your browser.

 

http://rjohnhowe.wordpress.com/

This link takes you to an “about” page on my blog. Our virtual version of Mike’s session is the top item in the column on the right-hand side in red letters. (Mike’s earlier session on warp-faced textiles can also still be found and enjoyed by looking further down that same red-print column.)

I have said so again in the post, but my thanks to Mike, not only for permitting the construction of this virtual version of his program, but also for the considerable time and effort he has invested in writing the text and in editing (sometimes providing) the accompanying photos.

You are receiving this email because you are on one of my lists of “ruggies.” If you would prefer not to receive future announcements about such posts, please contact me at rjhowe@erols.com and I will remove your name from my listings.

I do not usually encourage comments on these posts, but if you have a contribution to share, you can send it to me at the email address above, together with your permission to use it and any images you provide, either entirely or in part, in any addendum I may add.

Regards,

R. John Howe

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Vintage Fashions

Dear folks – This is to announce publication of a virtual version of a Textile Museum Rug and Textile Appreciation Morning, (RTAM), given on July 17, 2010 on the subject “Vintage Fashions from Around the World.” 

 

Steve is well-known in the rug world, being most visible at the moment as the editor and technical manager of the rug discussion site Turkotek.com.  The post itself includes more information about his background.

 

In this RTAM, Steve first asked, professorially, why we wear clothes and then proceeded to give some of the seeming major reasons.  But, with that introductory perspective in place, he moved quickly to examine the material that he and members of the audience had brought in.

 

You can reach this virtual version of Steve’s, nicely conceptualized, program by clicking on the link immediately below or by copying the link and pasting it into your browser.

 

http://rjohnhowe.wordpress.com/

 

This link takes you to an “about” page on my blog.  Steve’s program is the first in the column in red on the right. My thanks to Steve for permitting me to share this virtual version of this event with you, and for some “over the shoulder” assistance he contributed to its editing.  Despite this, I should acknowledge that this post is very much MY report on Steve’s session, rather than the session he actually gave.  Any errors that remain are mine, alone.

I do not permit direct comments in this blog, and do not particularly encourage any, but if you have something that you feel is useful to share, you can send it to me at the email address  rjhowe@erols.com, with your permission to quote you should I decide to publish it.

 

I hope you enjoy this virtual version of a recent RTAM program.

 

Regards,

 

R. John Howe